- #Sonnox oxford plugins review how to
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- #Sonnox oxford plugins review series
Harden up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques Produce rounded and dynamic percussive effects Increase or reduce the effects of ambience Radically change the dynamics of instrumentsĪccentuate or flatten attacks and transients Such effects are easily achieved with the TransMod because its purpose designed adaptive processing acts on differential information in the programme, so that the overall long-term programme level is minimally affected, and sensitivity to control parameters is drastically reduced. The application was developed to address a common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments.
The effect is to bring transient events in the programme forward, or push them to the background, such that the attack of instruments can be accentuated or softened depending on the settings provided. Sony has proved that you can take the EQ out of an Oxford, without taking the Oxford out of the EQ.The Sonnox Oxford TransMod is an application that allows the dynamic level of signals to be modified, over time, by transients in the programme material.
#Sonnox oxford plugins review pro
No other EQ currently available for the Pro Tools platform comes close. With lesser EQs you never really feel 'safe' making a change - with this you can twiddle with confidence. Everything about this plug-in spells quality. I've spent some time with GML EQs (fixed plenty) and I can say that the feeling returned with this -that accurate but musical sense that it brings. Variety between types comes down to the way the EQ reacts to your actions, which is the way it should be. You have to spend a little time with this EQ to fully realise what it is capable of. The GML 8200 option is a comprehensive simulation of the outboard unit,though with ☒0dB of boost/cut.
Type 4 increases that interaction for control of 'overall impressions' - recommended for mastering. Type 3 is described as resembling Neve and the later SSL G consoles, with a moderate amount of Gain/Q interaction (Q reduces with gain). Type 2 is the same in boost as Type 1 but has constant Q responses in cut (fine cut for tempering snares and wide boost for 'fill', for example).
#Sonnox oxford plugins review series
Type 1 has very little Gain/Q interaction, described as 'most like the original 4000 Series SSLs. The EQ types encompass various 'control reactions' and the amount of interaction between gain and Q. In the centre section of the EQ there are master AB selectors (two simultaneous settings), EQ Type selection (click 'In', and the plug-in imposes those characteristics), and a master gain control. The main EQ has five fully parametric bands, each with In/Out buttons, and shelving selections on the HF and LF bands (where Q controls overshoot). The filters are HP and LP shelves that have variable slope (6dB to 36dB/Oct) and frequency. At the end of it you get a custom plug-in locked to the hard drive it was installed on.
#Sonnox oxford plugins review how to
You buy on-line (although no demos are available) and receive instructions on how to navigate the anti-piracy procedure.
#Sonnox oxford plugins review plus
You can opt for either just the four basic EQ types, or those four plus the GML option. When you buy the Oxford R3 EQ plug-in, you get three different versions of the plug-in, each in mono and stereo versions: Filters only (three per MixPlus chip), EQ only (four per chip), and EQ + filters (two per chip). The next step was to take that EQ and port it to the Pro Tools platform as a TDM plug-in. The result is a bunch of knobs that can be most of the EQs you've ever wished for. That has led to four generic EQ types, plus the GML 8200 type - an alternative version that Mr Massenburg himself had more than just a hand in. The solution lay in multiple personalities - recreating the interactions between control changes and parameters that characterise some of the most sought-after EQs around. It was the idea of the engineers at Sony to incorporate an EQ into the OXF-R3 Oxford console that took advantage of the flexibility of the platform, but that didn't end up without a personality.